Who Are the Publishers for the 2014 Queen City Writers Conference?

Do you have questions about Publishing? With so many changes in the Publishing industry these days, how does one choose? Is it easier to Self publish or to try work with a Traditional one? These answers and more will be addressed at the conference, October 16th - 18 at the Hilton Executive Park. Registrations are still going on.

ICP Consulting & Publishing
http://www.icandp.com/

       




Comfort Publishing
http://www.comfortpublishing.com/content/default.aspx

Chalfont House Publishing
http://www.chalfonthouse.com/

9 Things I Did To Become A Full-Time Writer

by Carlos Cooper | 50 Comments

Three years ago, I was like many of you. Just starting out. Not a clue which way to go. I had an idea for a book and that was it, but I wanted to become a full-time writer.

Fast forward a couple years, and I’m doing this for a living (on top of being a stay-at-home dad). I make a living writing fiction, but everything didn’t converge until four months ago. So what did I do to get here?

photo credit: streetwrk.com via photopin cc

If you don’t want to hear a bit of my story, and think I may be tooting my own horn, feel free to read some of Joe’s stuff HERE. He’s much gooder than me anyway. 

If you’re like me, and you enjoy hearing what others have learned in hopes of avoiding potential pitfalls, and you want to see what it took for me to become a full-time writer, continuing reading, my friend.

1. I Stopped Looking For Permission

I learned basic grammar and story-telling in grade school. I took one mandatory creating writing course in college.

That makes me a hack. I am not classically trained. But who cares?

The second I realized that it was all about writing stories that I enjoyed, and that readers might buy, I stopped listening to people who said I couldn't be a writer.

You are a writer the nanosecond you declare it.

2. I Learned To Deal With Rejection

Bad reviews stink.

Not having your closest family read your stuff hurts even more.

I had to come to the realization that my closest friends and family were not my target audience and that one crappy review could not eclipse twenty or thirty great ones.

Rejection is everywhere. Learn to focus on the silver lining instead.

3. I Read Everything I Could About Being A Writer

I’m an entrepreneur so this one was right up my alley. The Internet makes it so easy. There are tons of websites dedicated to the writing. Do a search for “How To Be A Writer” and you’ll get more than you could ever process.

The point is if you’re going to be a writer, read about being a writer.

4. I Developed Relationships With Like-Minded Writers

I've talked about this in other posts, but I can’t tell you how good it felt to find writers with the same mentality as me.

Guy and gals who were willing to type fingers to the bone in their quest for success. I no longer had my Marines, but I had something else. What I found were warrior writers.

Surround yourself with positive writers who challenge you to be great.

5. I Developed My Craft

The moment you think you've figured it out, learn something new.

Developing your talent takes time and gobs of effort. Luckily I’m imbued with this annoying habit of self-analysis. I think most of my stuff could be better.

That’s not to say that I hold my work back. What I do is take classes and try to hone my craft while publishing as I learn. I’m always improving.

Don’t ever stop chasing perfection.

6. I Discovered That My Stories Aren't Really Mine

I think a lot of writers get stumped because they think it’s up to them to come up with a story. I am a firm believer that that’s not actually how it works.

Think about it. When you look at a crumbling castle in Scotland a story probably comes to mind. When you happen across a teetering drunk you probably envision what led them there.

Before every writing session, I stop, close my eyes, and ask God (you may want to use the Universe or something less religious-y) to bring me the story.

I even posted this quote on my wall: “The story isn't mine. I’m just the conduit.”

As long as I remember that, and try not to force the story, I don’t have a problem completing my novels.

Be the conduit, not the source.

7. I Learned About The Business of Writing

This is in addition to #3. I couldn't just learn how to be a writer. I had to learn how to navigate the business of writing. Like I said before, there’s plenty of information out there. Take it in bite-sized chunks and apply the most important parts immediately.

Without business, there is no writing income.

8. I Gave My Stuff Away For Free

I know a lot of you hate this one. That’s cool. The only problem is that it may be holding you back from being successful.

This past March I set my first book to perma-free. You read right. That book will be free FOREVER.

You’re probably thinking, “Carlos! You’re crazy!”

My answer to you: Only on Sundays.

Here’s the truth. The more I've given away, the more sales I've made. A lot more.

This isn't my idea. Guys and gals like Robert J. Crane and SM Reine paved the way. But they planted the seed, and now I’m gearing up to do the same thing with my first three books in the Corps Justice series.

Stop being greedy. Give readers a chance to love your work without asking for a penny.

9. I Wrote

The most important lesson comes last. This is the big one, ya’ll.

If I don’t write, there are no books.

Without books, I cannot sell.

Without sales, I can’t do this full-time.

More than one writer has said that the best piece of marketing they ever did was write their next book. It’s true.

Every new book I publish sells more than the last. My readers want the next installment.

That’s made me ramp up my plans which now include six to ten new novels every year.

You may (once again) think I’m nuts, but I love what I do. I love writing prolifically. After all, isn't a writer’s only real job to write?

What’s keeping you from pursuing writing at a higher level?

A Writer’s Guide to Stop Panicking and Get the Most from a Critique

by Emily Wenstrom

Even when you ask for it, when people critique your writing it can feel like a dagger to the gut. It can knock out your confidence and even cause you to question whether you should ever bother picking up a pen again.

Photo by star5112

When a group of beta readers critiqued the manuscript for my first novel, I felt like I was on the cusp of a true panic for days. Was my manuscript too problematic to be fixed? Was I a terrible writer? Maybe I wasn’t really a writer at all and should just give up.

But critique feedback can also help you make your work even better—not just in this manuscript but in general. Once I calmed down, I realized that there was a lot of positive in the feedback I’d gotten, too. My manuscript was definitely fixable, perhaps even pretty good—it just had some areas where it could be even better. And then I actually excited to make those improvements and started coming up with even more creative ideas to add into it.

You can get past critique panic too—what makes the difference is how you handle it. Here’s some tips on how to move past the fear and get the most from it:

Accept the critique

The worst thing about feedback is what we imagine it will be. Don’t let the fear of your feedback stop you from moving forward. Bite the bullet and read it through all the way. It’s okay if at first it makes you angry or if you don’t agree with any of it. Just read and take it all in.

Take some space to think about the critique

Once you've read through all your feedback, step away from it for a few days and just let the feedback marinate. It’s hard to hear criticism and alternate ideas about something you've created. During this time, remember the positive comments you got, too–just because there’s ways to improve doesn't mean you’re not a good writer!

But if you let yourself have the time to mull on that feedback, you may be surprised to find you agree or that it triggers new creative ideas. Other suggestions you may decide not to take.

Get a game plan on how to act on the critique

Even when you you've had the space to calm down and decide what to do with your feedback, it can be overwhelming to think about the work required to execute on them. What you need is a game plan.

Write a list of all the things you want to address, and order them from the biggest plot-level changes to the smallest detail changes like word choices. Addressing changes in this order will eliminate some unnecessary effort fixing things that need to change anyway.

Butt in seat.

Then, the only thing left is to put in the work and plug through your to-dos. Stay focused and don’t let this last stage of hard effort get you down. You’ll be working your way into the publishing stages soon.

Receiving a critique on your manuscript can be deeply personal and extremely difficult. But don’t let that fear or insecurity hold you back from getting all you can from constructive feedback. Keep a cool head and a critique can make your manuscript even stronger.

About Emily Wenstrom

Lit addict, movie junkie, geek. Emily Wenstrom is a professional writer working in PR. She blogs about creativity at Creative Juicer and is editor of short story zine wordhaus.

The Perfect Pitch

The Perfect Pitch: Pitching to Agents at a Writing Conference

by Sue Fagalde Lick

Your heart pounds, your hands sweat, your knees shake on your way to what could be the most important meeting of your life: a 10-minute session with an agent or editor.
Is it worth the stress? Yes.
Many conferences allow writers to schedule short face-to-face meetings with agents and editors. It's a great opportunity to pitch one's book. It's also terribly nerve-wracking. After all, most of us are more effective on paper, and a bad meeting can ruin your chances with that person forever. But one successful meeting can make your book-publishing dreams come true. It can also save months of mailing queries and waiting for answers.
Preparation is the key. David Hale Smith of DHS Literary, Inc., attends six to eight conferences a year looking for "that one diamond in the rough." Smith urges writers to prepare a three-minute pitch in which they boil their project down to three to five sentences. Practice that pitch until you can deliver it smoothly. The whole point of the meeting is to get your writing read. You're not there to chat, make a new friend or list the problems you're having with your writing but to convince the agent to give it a look. "You're sitting there and the door's open."
Pitch sessions are obviously stressful. Smith admits he still gets nervous pitching books to editors, but he can handle his nerves because he is prepared. "Think of it as a business meeting," he says. "You're coming to a business meeting with a product." The writer must be able to describe his book clearly and briefly. If he can't, how is the agent going to describe it to an editor, who in turn has to pitch the book to his superiors and ultimately to the publisher's sales force, which has to pitch the book to the buyers?
Agent Jillian Manus, who spent several years as a development executive in the movie business, knows the importance of a pitch. She bought movie scripts solely on the basis of the writers' pitches, then turned around and pitched them to her production team. These days, the book publishing industry has also adopted the pitch as an essential sales tool. Writers who can't describe their work in four or five lines don't have a clear idea of what they are writing, Manus says.
For fiction, Manus suggests dividing the pitch into three points: the setup, hook and resolution. For nonfiction, the title should convey the main concept of the book. Explain what the book is about, why you are qualified to write it, who will read it and what you can do to promote it.

Why Attend the 2014 Queen City Writers Group Conference?

Charlotte is the place to be this fall. The 2014 Annual conference is power packed and full of fun, excitement and more. 

If you are a writer looking to advance your career or just wanting to know more about the field of writing, then spend October 16th-18th with us at the Hilton Executive Park.

The highlight of this year's conference is our Keynote Speakers:  Robert Inman, Francene Marie, Cathy Pickens and Torry Martin.

We also will have the following:

1. Interactive workshops
2. Evening Bonus Features
3. Dinner and Awards Banquet
4. Breast Cancer Awareness and Fundraiser

And so much more!

Our early bird registration is going on now for $99.00.

2014 Queen City Writers Group Annual Conference

Please Note:

If you received an email, post or any other form of communication that the 2014 Conference has been cancelled, Please disregard it.  The conference is on and moving forward with great anticipation.

We apologize for any confusion and look forward to seeing you at the Conference!